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Mark Kurlansky, the bestselling author of Cod and The Basque History of the World, here turns his attention to a common household item with a long and intriguing history: salt. The only rock we eat, salt has shaped civilization from the very beginning, and its story is a glittering, often surprising part of the history of humankind. A substance so valuable it served as currency, salt has influenced the establishment of trade routes and cities, provoked and financed wars, secured empires, and inspired revolutions. Populated by colorful characters and filled with an unending series of fascinating details, Kurlansky’s kaleidoscopic history is a supremely entertaining, multi-layered masterpiece.

The I Ching, or Book of Changes, a common source for both Confucianist and Taoist philosophy, is one of the first efforts of the human mind to place itself within the universe. It has exerted a living influence in China for 3,000 years, and interest in it has been rapidly spreading in the West.

The classic Existentialist novel, with a new introduction by renowned poet, translator, and critic Richard Howard.Winner of the 1964 Nobel Prize for Literature, Jean-Paul Sartre, French philosopher, critic, novelist, and dramatist, holds a position of singular eminence in the world of letters. Among readers and critics familiar with the whole of Sartre’s work, it is generally recognized that his earliest novel,

La Nausée (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the twentieth century and a landmark in Existentialist fiction.

Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which “spreads at the bottom of the viscous puddle, at the bottom of our time—the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain.” Roquentin’s efforts to come to terms with life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize the tenets of his Existentialist creed.

With a New Afterword by the Author

“An astonishing work concerning personal honor and dishonor, shame and shamelessness. A book of stunning insights and suspense.” —Studs Terkel

Half a century later, the investigation of Hollywood radicals by the House Committee on Un-American Activities still haunts the public conscience. Naming Names, reissued here with a new afterword by the author, is the definitive account of the hearings, a National Book Award winner widely hailed as a classic. Victor S. Navasky adroitly dissects the motivations for the investigation and offers a poignant analysis of its consequences. Focusing on the movie-studio workers who avoided blacklists only by naming names at the hearings, he explores the terrifying dilemmas of those who informed and the tragedies of those who were informed on. Drawing on interviews with more than 150 people called to testify—among them Elia Kazan, Ring Lardner Jr., and Arthur Miller—Naming Names presents a compelling portrait of how the blacklists operated with such chilling efficiency.

On February 27, 2007, during an interview with Amy Goodman, General Wesley Clark described a 2002 Pentagon conversation in which he was told that America was planning to invade Iraq. From the same source, he learned of a classified memorandum listing six other countries the United States intended to “take out” over the next five years. Most of us will never get to see this memo, but we know it exists.

Now, editor Stephen Elliott, authors Jason Roberts, Eric Martin, and Andrew Altschul, and a team of twenty researchers have re-created this document for the present day. Where to Invade Next contains seven essays, 100 percent factual, laying out in stark detail how the arguments for invasion could be made. A biting look at the role of propaganda in foreign policy, this book outlines exactly how our leaders might make the case for war.

A Man Without a Country is Kurt Vonnegut’s hilariously funny and razor-sharp look at life (“If I die—God forbid—I would like to go to heaven to ask somebody in charge up there, ‘Hey, what was the good news and what was the bad news?”), art (“To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”), politics (“I asked former Yankees pitcher Jim Bouton what he thought of our great victory over Iraq and he said, ‘Mohammed Ali versus Mr. Rogers.’”), and the condition of the soul of America today (“What has happened to us?”).
Based on short essays and speeches composed over the last five years and plentifully illustrated with artwork by the author throughout, A Man Without a Country gives us Vonnegut both speaking out with indignation and writing tenderly to his fellow Americans, sometimes joking, at other times hopeless, always searching.

Winner of the National Book Award

The publication of this extraordinary volume firmly established Flannery O’Connor’s monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O’Connor put together in her short lifetime—Everything That Rises Must Converge and A Good Man Is Hard to Find.

O’Connor published her first story, “The Geranium,” in 1946, while she was working on her master’s degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, “Judgement Day”—sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of “The Geranium.” Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O’Connor’s longtime editor and friend, Robert Giroux.

One of the world’s leading neuroscientists explores how best to understand the human condition by examining the biological, psychological, and highly social nature of our species within the social context of our lives.

What happened along the evolutionary trail that made humans so unique? In his widely accessible style, Michael Gazzaniga looks to a broad range of studies to pinpoint the change that made us thinking, sentient humans, different from our predecessors.

Neuroscience has been fixated on the life of the psychological self for the past fifty years, focusing on the brain systems underlying language, memory, emotion, and perception. What it has not done is consider the stark reality that most of the time we humans are thinking about social processes, comparing ourselves to and estimating the intentions of others. In Human, Gazzaniga explores a number of related issues, including what makes human brains unique, the importance of language and art in defining the human condition, the nature of human consciousness, and even artificial intelligence.

The Nobel laureate shares his thoughts on poetry’s special ability to rectify spiritual balance as a counterweight to hostile and oppressive forces, in a collection of ten lectures on the work of such diverse poets as Christopher Marlowe, John Clare, Oscar Wilde, and Elizabeth Bishop.